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        Adobe Illustrator 10

        M ost of us have used Adobe Photoshop, right? Well, the biggest difference between Photoshop and Illustrator is that Photoshop bases its graphics off of raster images (pixels). Illustrator bases its graphics off vector (mathematical shapes/colors/gradients). Sure, both programs can do raster and/or vector art, but there is no comparison in power between Illustrator’s vector capacities.

        The biggest advantage vector has is that it's not resolution dependant. You can size a circle 1 inch wide or 50ft wide, and it will still look razor sharp. After you finish your design, there are many export formats that will rasterize it for migration to other programs.

        In the making since 1986, I’ve been using Illustrator for about 10 years now. I've experienced a lot of improvements that Adobe has put into this great graphics program. This is why 90% of the time I’ll create a new document in Illustrator to start a new project verses any other program because of the powerful tools, versatility of correcting mistakes and trying new ideas. Ideas such as OWC's four page ads created solely in Adobe Illustrator.

        Attributes, attributes, attributes
        I'd like to say right away that one of the biggest over-looked features in Illustrator is the 'Appearance palette'. Basically what it does is make it easy to modify appearance attributes. You can edit effects, copy attributes to items, duplicate attributes, and remove attributes.

        This is really helpful because in most designs you'll use the same attributes that you can apply and see easily from the appearance palette. So when you're in Illustrator again, make sure to check it. You won't regret it.

        But it's only text
        Text editing is the one of most powerful features in this program. If you need to edit text with Kerning, Tracking, Leading, Horizontal/Vertical Scaling, and Baseline Shifting, this is it, and we are just scratching the surface!

        Creating outlines command on text in Illustrator is great when sending out files to clients. When you outline text, you actually change it to art. When that happens, you don't need send the fonts with the file. This should guarantee that the file displays as it was meant to be. However, the text is basically not editable.

        Shear what?
        Take the ‘Shear Tool’ for example. Draw an object, select it, use the Shear Tool by clicking and dragging around the object. You’ll get effects and angles from a 2D object in seconds that looks like you’ve spent 10 minutes on it. Now you have something interesting to work off of.

        Example: The older hand drawn illustration was scanned in and imported as a template. The rest was done using tools provided by Illustrator.
        Pick me!
        Everything is selectable at anytime. Or you can easily lock it down with a command or layer option.

        If you want to change the stroke or fill of an object, just select it and choose your color. Want to stretch or move an object? Just select an anchor point, object line, or the whole object and drag.

        Just layer it
        Illustrator’s Layer Palette allows you to see/lock/select any layer in your palette. This is extremely helpful with complicated illustrations. You can edit vector objects on each layer at one time. Each layer has its own identity color that gets represented by the highlight color of the objects. This makes it very easy to differentiate where the object you are highlighting is in the layer hierarchy, or if it's grouped with other objects.

        Huh?
        Here is the kicker with the most powerful vector program. You can achieve some powerful ‘Photoshop-like” effects to any vector graphic in Illustrator. For example, if you want to add a shadow to a simple box, just choose on of the many SVG effects filters in the effects menu. By the way, the shadow will update in real-time when you modify your object. Illustrator has many more SVG filters to try out.

        Practice makes perfect
        I could write pages and pages on the how Illustrator works, but I’ve decided to give you a list of wonderful books from professional writers and designers instead. Read the costumer reviews, order your book(s) and work your book(s)! Practice enough to make Illustrator an extension of yourself, and let your mind's eye create!

        I’m confident that once you use and master Illustrator, you too will find yourself starting it up most of the time to try out your new design ideas! With Adobe Illustrator, anything is possible!

        Written by: Paul Roesner



        Street price: $400; upgrade, $150

        PowerPC® processor: G3, G4, or G4 dual
        • Mac OS software version 9.1, 9.2, or Mac OS X version 10.1
        • 128 MB of RAM
        • 180 MB of available hard-disk space

        Windows®
        • Intel® Pentium® II, III, or 4 processor
        • Microsoft® Windows 98, Windows 98 Special Edition, Windows Millennium Edition,
        Windows 2000 with service pack 2, or Windows XP operating system
        • 128 MB of RAM
        • 180 MB of available hard-disk space

        Download the trial version. Get to know what I think is most powerful vector art program and certainly one of the most powerful programs in Graphic Arts.
        Macintosh Free Trial Download (138MB) –
        Need Adobe Membership
        Windows Free Trial Download (81MB) –
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